Mad Dreams and Monsters: The Art of Phil Tippett and Tippett Studio by Alexandre Poncet && Gilles Penso

Author:Alexandre Poncet && Gilles Penso
Language: eng
Format: epub
Publisher: Cameron + Company
Published: 2022-11-08T00:00:00+00:00

Randal Dutra worked for five months on the animatics for Jurassic Park with Kim Blanchette and Tom St. Amand. He worked five more months on the production of the final VFX shots, and was one of the two animators of the Dinosaur Input Device.

VARIOUS REACTIONS

“I thought these visual effects were really great,” Hayes recalled. “But when we started the project, one of the things I found most exciting about Jurassic Park was that hybrid approach between the stop-motion puppets and the computer graphics compositing. I was more excited by that than by seeing the rendered CG dinosaurs, to be honest.

“Working with the animators for a while at that time, I thought I had a pretty good understanding of what the performances looked like. But seeing the stop-motion raptors attack, with accurate motion blurs done in CGI—that would have been incredible. The CG dinosaurs in Jurassic Park were, of course, a milestone, but to me, they don’t have the same kind of organic quality that the foam-latex animals have. These puppets have something so textural and so artistic. In an alternate universe, Jurassic Park with stop-motion animated dinosaurs composited with computer graphics motion blurs is the movie I want to see.”

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